My House, Like it or ‘Meh’ it

 
The responses I get when I show people around our house fall into two categories.

The first is a mixture of two emotions followed by a physical response to conceal those emotions. This response usually comes just after I show guests the pastel green master bedroom. Shock and pity followed by a hastily constructed poker face.

The verbal translation: “Oh, wow. Ok. Cool.”

(A little aside: the house, of course, belongs to Lisa as well, so that explains the use of ‘our’)

Now, there are two other things I should tell you about our bedroom. One, there has been a strip of masking tape on the ceiling since 2006, when over-enthusiastic roofers knocked a little chunk of plaster onto our bed. Two, the pine floor we’ve been bragging about is actually just the polished subfloor. It would appear that the previous owner started the job of replacing the floor, but either ran out of money or thought to himself hey, if I just slather polyurethane all over this, I bet no one will by the wiser. Turns out, it was a good decision on his part. That floor has been a talking point for Lisa and I for six years.

The second kind of guest response that occurs during a grand tour of our house is a non-reply; an it-is-what-it-is response. This reaction is a little disconcerting at first because it looks a bit like stunned terror, and it usually comes after I show a guest our kitchen with its 1970s-style ceramic, micro-tiled countertop and glossy, deep orange cupboard doors. At this point, I really find it difficult to read the face of my guest. I myself often get confused when I enter my severely retro-style kitchen, thinking I’ve just walked into the Country Style Donuts of my youth. But then, my guest will nod his or her head and, without hesitation, utter a simple one-word response like “nice” or “cool”, and then move on.

This second type of response usually comes from the most practical and pragmatic of guests, those who live a life of low-maintainence, who travel light and usually by the seat of their pants. While I much appreciate their ability to overlook the 1997 Sony TV set in the living room, I always find myself justifying to them my luxury purchase of the Sony Playstation sitting on top of it. We can watch the best political documentaries from Netfix, really!

On the other hand, the first type of response, the shock and pity one, comes from those who appreciate life’s comforts. I may be merely speculating here, but they are most likely to believe there is a fine line between what constitutes a charming little house and what constitutes the domain of a crazy cat lady. My house, I believe for the most part, falls into the latter category for these types of guests. When showing these types around I always feel a bit like Mike Myer’s SNL character, Middle-Aged Man, who would grab the flab of his gut and windedly exclaim “I’m working on it! I’m working on it!”

And in truth I am working on it. We both are – sort of. It’s just that the novelty of DIY wore off for us in 2009, and choosing a contractor lately has been a worrisome as picking a winner from Match.com. Besides, as of late there are just too many nice parks in the city and too many good sandwich shops within walking distance of the splash pads for us to sacrifice a sunny Sunday afternoon watching paint dry.
 
 

Other People’s Poetry

 
“Marilyn” (excerpt)

by Ooka Makoto

 
Written shortly after the death of Marilyn Monroe

 
Death:
a mirror that
turns the film backward

The sweep of her eye no
longer reaches the dream’s crystal forest.
In the distance,
where the dim flames of death
carry her bed
will she be met by a
gentle white elephant or
a closed lead window?
Hair softly undulating, she
lies now rigid as a washboard
on a dark mirror in which still
quivers a scalpel.

But no scalpel can reach the soul’s truth.
 
 
 

Two Minor Observations While Lying in the Shade at Trinity Bellwoods Park

 
First, after decades on this planet I still can’t understand why any warm-blooded creature would prefer to sit in the sun and sweat as a mode of relaxation. Make no mistake, those in the park who had chosen to bask in the direct sunlight were in fact gleaming with sweat. How can anyone consider effortless sweating enjoyable? You have simply produced the by-product of an exhausting workday (sticky, sweaty skin) without the satisfaction of having actually accomplished anything. And please don’t tell me you actually want a tan. What is this? 1975? Is George Hamilton making a comeback as a sex symbol? It’s hard to believe that there are people out there who are willing to turn their epidermis into luggage-grade material for a different shade of skin colour.

Second, I think I know why I prefer photographs to paintings. Photographers, those who don’t rely heavily on Photoshop, are faced with the challenge of a large natural constraint: reality. Unlike their painter counterparts who have a whole ‘palette’ of tools at their disposal to interpret the world as they wish, photographers, I believe, have only a handful devices at their disposal. I won’t go into the details now, but I will say that these constraints, for me, produce a certain poignance, a momentary glimpse, if you will, that I have only seen in photography. A good photograph, in my opinion is the visual equivalent of a good Haiku poem. Hopefully, some of the examples here might give you an idea of what I am taking about.

 
 

Other People’s Poetry

 
from With Silence My Companion

 
I know how worthless this poem will be
under the scrutiny of daylight
and yet I cannot disown my words.

While others fill their baskets at market
I drink from a cup on the table,
utterly idle.

I see through the trees, by the distant pool,
a white statue
its genitals exposed
It is I.

I am immersed
in the past
and have become a block of dumb stone
and not the Orpheus I hoped to be.

 
Tanikawa Shuntaro

 
Translation from the Japanese by William I. Elliot & Kazuo Kawamura