As These Words Unravel

 
they become a trail of evidence
leading forward to you,
leading back
along the breath of a hand,
the rim of a heartbeat
the break of a cut,
the edge of a fingernail
to a warm presence
billowing in your blood
like black curtains,
a heavy reluctance,
rubbing against your bones
like shadow branches
of the moon.

Remember the old woman
on that summer dock?

I am in the glint of broken shells.

Remember the dog
chasing down horses on that dirt road?

I am among the hot stones
spat out like bullets from those tires.

Remember the boy
thin as a birch
driving his mountain bike neck deep, into a swamp river?

I am beneath the green weeds dangling from
his glasses
held by masking tape.

Remember me now?

I am a god standing
somewhere in a rush of leaves
and as you gather them
these words,
know that
I am somewhere
in their fragments.
They are clutched around me
like a handful of shells
held close to you, now,
like the remembering of
of muscles, after a heavy load,
the memory of touch upon skin:
solidifying forever
into an instant
lasting as long
as the heartbeat
the brief hush
when all these pieces freeze
into a single moment,
and you realize
as clearly as the silence
around us,
that everything I am
has already happened
a million times
in a million different ways
and will never happen
this way
again.

 

 

 
2002 (c) Rocco de Giacomo

Once in a Lifetime

 
A young peasant farmer in his father’s best.
His skin, the texture
of spring bark
brushes against a starched white
collar. His face beams, and his wife
stands next to him, the expression
on her separate wind-burnt face
saying she’s lost something. The borrowed
polyester dress she wears
stretches across her shoulder blades
as she poses with the baby boy
on her hip. He is travel-weary
and crying, and in her village dialect
she shushes him, then shakes him.

Over their shoulders, Mao awaits,
his gaze meeting the lens dead on.
The passer-by with their camera
is waiting as well and the boy
won’t stop crying, just
doesn’t understand why
they’ve come all this way.

 

As appeared in the chapbook collection Catching Dawn’s Breath, Lyricalmiracle Press, Toronto, 2008.

 

 

 

Boarding Call

 

The wiping of our mouths,
the fidgeting of fingers,
betray our greatness,
a mother and son at a table,
in the polished calamity
of an airport, sipping coffee
from little paper cups.

We tremble over dirt roads
and wedding stories towards
the boarding call. We resonate
with fights about old curfews
and messy rooms that almost
make it past the nervous grace
in our lips.

When the announcement hits
we look at each other, finally,
then rise up like shipwrecks
full of grandeur, and at this moment
money is nothing, rolls of bills,
promises, and writing on bits of paper
float between us.

Our embrace is a submergence,
the noise pressed from us, then
the aching pull, the tender lull
when you let me go, knowing
I’ve held something back;
and what I’ve kept I hope
will keep me afloat.

 
As appeared in the collection Leaning into the Mountain (Fooliar Press)