Call to Prayer

 
A hammer sliding down a clay rooftop,
an old pair of leather shoes scraping over
road dust: the soft torque of breath,
a throat dry as sand, permeate the far wall
of your room with a voice that needs no echo.

Your tile floors are stung with coolness,
and the cry, whose every word is a passage
blazing a Herculean leap, rises from a dozen
hidden rooms around the city. Your sheets
are a blue shroud and the song travels
from district to district from wall to window;
your sun dawns the shadows of water tanks;
the bed is a sundial turning at the centre
of an old stenograph, words crying out as alien
as whale music scratching on your skull.
A horizon of television aerials and satellite dishes
and the relentless mammal lingers there,
its skin above you, the air its bones, the hammer
strokes the slow fury of one who utters God.

 
 

As appeared in the full-length collection, Ten Thousand Miles Between Us, the chapbook collection Leaning into the Mountain (Fooliar Press, 2006) and the literary magazine Prairie Journal (2006, No. 47).

NOTE ON A FRIDGE DOOR

 
If you haven’t heard from me by now
I’ve been pinned to a clothesline in a field
where swollen-bellied children hunt acridians
the size of barn swallows. I’ve been wrung out
by obedient hands, my symbols beaten
onto rocks of rivers thick with age.
Where two uncles will hold down a pig
as an aunt cuts, I’ve been put to better use
the ends of me – my quietest corners –
fluttering at the bloodied wrists of one
who hasn’t touched a pen in years.

 
As seen in Prism International.
 

As These Words Unravel

 
they become a trail of evidence
leading forward to you,
leading back
along the breath of a hand,
the rim of a heartbeat
the break of a cut,
the edge of a fingernail
to a warm presence
billowing in your blood
like black curtains,
a heavy reluctance,
rubbing against your bones
like shadow branches
of the moon.

Remember the old woman
on that summer dock?

I am in the glint of broken shells.

Remember the dog
chasing down horses on that dirt road?

I am among the hot stones
spat out like bullets from those tires.

Remember the boy
thin as a birch
driving his mountain bike neck deep, into a swamp river?

I am beneath the green weeds dangling from
his glasses
held by masking tape.

Remember me now?

I am a god standing
somewhere in a rush of leaves
and as you gather them
these words,
know that
I am somewhere
in their fragments.
They are clutched around me
like a handful of shells
held close to you, now,
like the remembering of
of muscles, after a heavy load,
the memory of touch upon skin:
solidifying forever
into an instant
lasting as long
as the heartbeat
the brief hush
when all these pieces freeze
into a single moment,
and you realize
as clearly as the silence
around us,
that everything I am
has already happened
a million times
in a million different ways
and will never happen
this way
again.

 

 

 
2002 (c) Rocco de Giacomo